You may also notice that the penultimate chord, C7, isn’t diatonic to F minor. As a general rule, the minor v chord can be freely changed into a major V (or V7) chord in a minor key. For example, this is perfectly acceptable: Adding a 7 th to the V creates an even stronger “pull” to the tonic chord than it would otherwise. This is a In minor scales: The I-IV-V chords are minor chords, the II chord is diminished, and the III-VI-VII chords are major chords. By understanding these basics, you'll be able to navigate the world of chord progressions, allowing you to create compositions that evoke powerful emotions and captivate listeners. These images can help you visualize it Chords in Minor Keys have similar functions as those in Major Keys, however the bVII chord functions as the Subtonic instead of the ‘Leading Tone’ as it is a whole step away from the tonic. For the ‘v’ chord, borrow a Major V (or V7) chord from the Harmonic Minor scale for more tension to the tonic. Each chord is also called a triad and consists of the root note, the 3rd above and the 5th above (in the scale). If we use this idea for every note of the scale, we get all 7 chords in the key of G sharp minor. Here are the chords in G sharp minor: i – G# Minor: G# – B – D#. ii° – A# diminished: A# – C# – E. .

minor scale chord progressions